{"version":"1.0","provider_name":"B+A Architectes","provider_url":"https:\/\/bplusa.eu\/fr\/","author_name":"B+A Architectes","author_url":"https:\/\/bplusa.eu\/fr\/author\/brossy\/","title":"Op\u00e9ra Comique de Berlin - B+A Architectes","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"SEcemVzplP\"><a href=\"https:\/\/bplusa.eu\/fr\/projects\/opera-comique-de-berlin\/\">Op\u00e9ra Comique de Berlin<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/bplusa.eu\/fr\/projects\/opera-comique-de-berlin\/embed\/#?secret=SEcemVzplP\" width=\"600\" height=\"338\" title=\"\u00ab\u00a0Op\u00e9ra Comique de Berlin\u00a0\u00bb &#8212; B+A Architectes\" data-secret=\"SEcemVzplP\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(c,d){\"use strict\";var e=!1,o=!1;if(d.querySelector)if(c.addEventListener)e=!0;if(c.wp=c.wp||{},c.wp.receiveEmbedMessage);else if(c.wp.receiveEmbedMessage=function(e){var t=e.data;if(!t);else if(!(t.secret||t.message||t.value));else if(\/[^a-zA-Z0-9]\/.test(t.secret));else{for(var r,s,a,i=d.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),n=d.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),o=new RegExp(\"^https?:$\",\"i\"),l=0;l<n.length;l++)n[l].style.display=\"none\";for(l=0;l<i.length;l++)if(r=i[l],e.source!==r.contentWindow);else{if(r.removeAttribute(\"style\"),\"height\"===t.message){if(1e3<(s=parseInt(t.value,10)))s=1e3;else if(~~s<200)s=200;r.height=s}if(\"link\"===t.message)if(s=d.createElement(\"a\"),a=d.createElement(\"a\"),s.href=r.getAttribute(\"src\"),a.href=t.value,!o.test(a.protocol));else if(a.host===s.host)if(d.activeElement===r)c.top.location.href=t.value}}},e)c.addEventListener(\"message\",c.wp.receiveEmbedMessage,!1),d.addEventListener(\"DOMContentLoaded\",t,!1),c.addEventListener(\"load\",t,!1);function t(){if(o);else{o=!0;for(var e,t,r,s=-1!==navigator.appVersion.indexOf(\"MSIE 10\"),a=!!navigator.userAgent.match(\/Trident.*rv:11\\.\/),i=d.querySelectorAll(\"iframe.wp-embedded-content\"),n=0;n<i.length;n++){if(!(r=(t=i[n]).getAttribute(\"data-secret\")))r=Math.random().toString(36).substr(2,10),t.src+=\"#?secret=\"+r,t.setAttribute(\"data-secret\",r);if(s||a)(e=t.cloneNode(!0)).removeAttribute(\"security\"),t.parentNode.replaceChild(e,t);t.contentWindow.postMessage({message:\"ready\",secret:r},\"*\")}}}}(window,document);\n<\/script>\n","thumbnail_url":"https:\/\/bplusa.eu\/wp-content\/uploads\/2020\/10\/07.kob_.jpg","thumbnail_width":2147,"thumbnail_height":1200,"description":"Le Th\u00e9\u00e2tre \u00e0 l&rsquo;italienne (Guckkastenb\u00fchne) est encore aujourd&rsquo;hui la forme de sc\u00e8ne pr\u00e9dominante, on la retrouve dans la plupart des grands op\u00e9ras du monde. La machinerie \u00e0 l\u2019\u0153uvre en backstage et les changements des d\u00e9cors sont soustraites \u00e0 la vue du spectateur afin de pr\u00e9server l&rsquo;illusion de la production. La repr\u00e9sentation est l&rsquo;aboutissement de plusieurs&hellip;"}