{"id":9620,"date":"2020-11-26T15:41:46","date_gmt":"2020-11-26T14:41:46","guid":{"rendered":"http:\/\/www.brossy.com\/?post_type=portfolio&#038;p=9620"},"modified":"2021-01-19T11:38:22","modified_gmt":"2021-01-19T10:38:22","slug":"theatre-national-de-chaillot-paris-16-en","status":"publish","type":"portfolio","link":"https:\/\/bplusa.eu\/en\/projects\/theatre-national-de-chaillot-paris-16-en\/","title":{"rendered":"National Theater of Chaillot"},"content":{"rendered":"<p>The theater of Chaillot requires an essential intervention to find functional and regulatory characteristics that the design of J. CARLU of 1936 no longer ensures.<br \/>\n&#8211; Restore public reception by rehabilitating the historic access on the Seine side, by reopening the very imposing historic facade on Place de Varsovie.<br \/>\n&#8211; Reconstruct a scenographic tool adapted to the renewed programming of the TNC.<br \/>\n&#8211; The current F. G\u00e9mier room has been completely rebuilt to offer a modular room with 390 seats, equipped with a very large backstage which increases the number of stage possibilities.<\/p>\n<p>&#8211; Find logistical access and efficient decorations for the 2 rooms by digging a tunnel in the old quarries present under the Palais de Chaillot in order to reach the access of heavy vehicles by the avenue du President Wilson.<br \/>\nThe renovation of these historic premises is accompanied by an upgrade to fire safety standards and accessibility to people with reduced mobility of the rehabilitated parts.<\/p>\n<p>Pictures \u00a9 Sergio Grazia<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The theater of Chaillot requires an essential intervention to find functional and regulatory characteristics that the design of J. CARLU of 1936 no longer ensures. &#8211; Restore public reception by rehabilitating the historic access on the Seine side, by reopening the very imposing historic facade on Place de Varsovie. &#8211; Reconstruct a scenographic tool adapted&hellip;<\/p>\n","protected":false},"author":1,"featured_media":8329,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"portfolio_category":[62,83],"portfolio_tag":[],"_links":{"self":[{"href":"https:\/\/bplusa.eu\/en\/wp-json\/wp\/v2\/portfolio\/9620\/"}],"collection":[{"href":"https:\/\/bplusa.eu\/en\/wp-json\/wp\/v2\/portfolio\/"}],"about":[{"href":"https:\/\/bplusa.eu\/en\/wp-json\/wp\/v2\/types\/portfolio\/"}],"author":[{"embeddable":true,"href":"https:\/\/bplusa.eu\/en\/wp-json\/wp\/v2\/users\/1\/"}],"replies":[{"embeddable":true,"href":"https:\/\/bplusa.eu\/en\/wp-json\/wp\/v2\/comments\/?post=9620"}],"version-history":[{"count":3,"href":"https:\/\/bplusa.eu\/en\/wp-json\/wp\/v2\/portfolio\/9620\/revisions\/"}],"predecessor-version":[{"id":9994,"href":"https:\/\/bplusa.eu\/en\/wp-json\/wp\/v2\/portfolio\/9620\/revisions\/9994\/"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/bplusa.eu\/en\/wp-json\/wp\/v2\/media\/8329\/"}],"wp:attachment":[{"href":"https:\/\/bplusa.eu\/en\/wp-json\/wp\/v2\/media\/?parent=9620"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/bplusa.eu\/en\/wp-json\/wp\/v2\/portfolio_category\/?post=9620"},{"taxonomy":"portfolio_tag","embeddable":true,"href":"https:\/\/bplusa.eu\/en\/wp-json\/wp\/v2\/portfolio_tag\/?post=9620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}